This semester I hope to explore different mediums of Product design whether it be CNC, Wood working, Ceramics or UX deisgn. I find so many different mediums interesting and I want to be able to explore them all. I hope to be able to learn a lot about different design mediums and be able to create a lot of different projects.
| Date Due | Percent | |
|---|---|---|
| Week 2 | Website Analysis | 5% |
| Week 3 | Midterm Worksheet (8 Steps) | 5% |
| Week 3 | Responsive Mockup | 5% |
| Week 3 | CSS Selection Exercise | 5% |
| Week 4 | Grid Exercise | 5% |
| First Quarter Assessment | 25% | |
| Week 5 | Responsive Wireframe | 5% |
| Week 5 | Code Portfolio Front Page | 5% |
| Week 5 | Quiz | |
| Week 6 | Typography Poster | 5% |
| Week 7 | Current Topic Website | 5% |
| Week 8 | Portfolio: Class Presentation | 5% |
| Second Quarter Assessment | 25% | |
| Week 9 | Final: Worksheet | 5% |
| Week 10 | Final: CSS3 Collateral | 5% |
| Week 11 | Final: CSS3 Animatic | 5% |
| Week 12 | Final: HTML/CSS | 5% |
| Week 12 | Final: Modular Navigation | 5% |
| Third Quarter Assessment | 25% | |
| Week 13 | Final: Multimedia | 5% |
| Week 13 | Final: Alternatives | 5% |
| Week 13 | Final: Peer Review | 5% |
| Week 14 | Final: Forms | 5% |
| Week 15 | Alternative | 5% |
| Final Quarter Assessment | 25% | |
| Week 15 | Final: Presentation | 10% |
| Two assignments dropped: | -10% | |
| Total: | 100% | |
| List of sources and services used |
A strong web portfolio is built on clarity, hierarchy, and intentionality. Every visual decision — spacing, type scale, color — should serve communication rather than decoration. Establish a consistent grid early, as it creates a sense of structure that lets your work breathe. Limit your typeface palette to two families at most: one for display, one for body. Hierarchy guides the viewer's eye; if everything shouts, nothing is heard. Above all, let the work lead — your interface is the frame, not the painting.
Color carries meaning before a single word is read. Start with a restrained palette — one dominant tone, one neutral, one accent — and use it with discipline. Consider contrast not just for aesthetics but for accessibility: WCAG AA compliance is a minimum, not a ceiling. Background and foreground relationships matter enormously on screens, which emit light rather than reflect it. Avoid using color alone to communicate meaning; pair it with shape, label, or pattern so the design remains legible for all users. Test in grayscale first; if the layout still communicates, your color choices are enhancing rather than carrying the design.
Responsive design is best understood as a content-first strategy rather than a device-first one. Begin with the smallest viewport and ask: what is the essential information, and in what order does it need to appear? That hierarchy becomes your foundation. As the viewport grows, you gain layout real estate — use it to add breathing room, establish columns, and surface secondary content. Avoid the trap of treating mobile as a degraded version of desktop; they are distinct reading contexts. Touch targets, thumb zones, scroll behavior, and font legibility all shift between contexts. Design for each honestly, and the responsive experience will feel coherent rather than forced.