My goal for this semester is to learn skills that are not taught in my designated degree course structure. I want to become more well rounded and have skills that go beyond what is expected of me. As AI consumes the art of 'making' its important to learn the basics core skills that seem dismissable now.
Timeline
CD Interaction 2026
| Date | Percent | |
|---|---|---|
| Week 2 | Website Analysis | 5% |
| Week 3 | Midterm Worksheet (8 Steps) | 5% |
| Week 3 | Responsive Mockup | 5% |
| Week 3 | CSS Selection Exercise | 5% |
| Week 4 | Grid Exercise | 5% |
| First Quarter Assessment | 25% | |
| Week 5 | Responsive Wireframe | 5% |
| Week 5 | Code Portfolio Front Page | 5% |
| Week 5 | Quiz | |
| Week 6 | Typography Poster | 5% |
| Week 7 | Current Topic Website | 5% |
| Week 8 | Portfolio: Class Presentation | 5% |
| Second Quarter Assessment | 25% | |
| Week 9 | Final: Worksheet | 5% |
| Week 10 | Final: CSS3 Collateral | 5% |
| Week 11 | Final: CSS3 Animatic | 5% |
| Week 12 | Final: HTML/CSS | 5% |
| Week 12 | Final: Modular Navigation | 5% |
| Third Quarter Assessment | 25% | |
| Week 13 | Final: Multimedia | 5% |
| Week 13 | Final: Alternatives | 5% |
| Week 13 | Final: Peer Review | 5% |
| Week 14 | Final: Forms | 5% |
| Week 15 | Alternative | 5% |
| Final Quarter Assessment | 25% | |
| Week 15 | Final: Presentation | 10% |
| Two assignments dropped: | -10% | |
| Total: | 100% |
A conversation with AI
Claude
How is AI likely to impact my career as an industrial designer?
AI is reshaping industrial design faster than most professions, but it's changing what you do more than whether you're needed. Here's how I'd break it down:
Where AI is already eating into tasks
- Concept generation - Tools like Midjourney, Stable Diffusion, and specialized platforms (Vizcom, Krea) can produce dozens of stylistic renderings from sketches or prompts in minutes. The "generate 50 mood-board concepts" grind is compressing hard.
- Generative design/engineering – Software like Autodesk Fusion's generative design or nTopology optimizes structural geometry for weight, strength, and manufacturability — work that used to take an engineer days of iteration.
- Rendering & visualization – Photorealistic renders that used to require KeyShot setup and hours of tweaking can now be AI-assisted or generated near-instantly.
- Research synthesis – User research coding, competitive analysis, and trend reports are increasingly AI-assisted.
Where you're still essential
- Taste and judgment – AI can generate options, but deciding which one actually solves the human problem, fits the brand, and works in the real world requires design judgment that comes from experience, not pattern-matching.
- Physical/material intuition – Understanding tolerances, how a hand actually grips something, how a hinge fails after 10,000 cycles, how a material feels — this is embodied knowledge AI doesn't have.
- Client and stakeholder navigation – Translating a vague business need into a design brief, managing trade-offs between engineering/marketing/manufacturing, presenting and defending decisions — deeply human work.
- Constraint synthesis – Real projects have messy, conflicting constraints (cost, tooling, regulation, brand, sustainability). AI is good at optimizing within a defined space; humans are still better at defining the space.
Therefore, how will physically made art change in value?
This connects directly to what's happening in design — physically made objects are likely to see a value reallocation, not necessarily a value increase across the board. A few forces at play:
The scarcity premium goes up
When AI can generate infinite digital variations instantly, the fact that something exists physically — took time, material, a human hand, and can't be copy-pasted — becomes the differentiator. We're already seeing this in craft furniture, ceramics, and limited-run product design: "handmade in small batches" is becoming a stronger selling point than it was a decade ago, similar to how vinyl records gained value after music went digital.
Authenticity and provenance become the product
Much like the art world already distinguishes an original oil painting from a print, physical objects will increasingly be valued for verifiable human origin — who made it, where, with what materials, under what conditions. Expect more emphasis on maker signatures, documented process (behind-the-scenes video, materials sourcing), and storytelling around the object's creation. The "story of the hands" becomes part of the value proposition, not just the object itself.
But mass-market physical goods don't automatically benefit
If AI-generated designs feed into the same injection-molded, offshore manufacturing pipeline as before, a physically-produced mass object doesn't gain value just because AI touched the design phase. The premium is specifically for objects where making itself — not just designing — resists automation: hand-thrown pottery, hand-finished furniture, artisanal metalwork, one-off sculptural pieces.
A split market is likely
- Commodity tier: AI-assisted design + automated manufacturing → cheaper, faster, more customized mass goods. Value here compresses.
- Premium/craft tier: human-made, small-batch, story-driven objects → value likely rises as a reaction against ubiquity, positioned similarly to how "artisanal," "small-batch," and "locally made" became premium signifiers once industrial mass production made those things rare.
I understand scarcity premium will go up, does that mean that AI will impact my career in ways that my client will only become high class?
The scarcity premium doesn't mean only luxury survives - it means the value proposition for human-made work shifts toward things AI-driven mass production can't replicate. That includes:
- True luxury/collector clients — yes, this segment grows and pays more for provenance and craft.
- Mid-market clients who value differentiation — brands that need to stand out from an ocean of AI-assisted "sameness" may pay for genuinely original human-led design, even at non-luxury price points. Distinctiveness itself becomes a form of currency, not just wealth.
- Local/community-scale clients — small businesses, regional manufacturers, niche brands who want a designer who understands their specific context, not a generic AI-optimized output.
Both are viable careers. One leans toward craft/premium positioning, the other leans toward volume/efficiency positioning using AI as leverage. Trying to sit in the middle — same process, same speed, same pricing as five years ago — is the position that erodes.
Is your current client base more premium/bespoke work, or more commodity/volume product design? That'd change which direction makes more sense for you.
Does the growth of AI promote more "non design" oriented people to choose AI design compared to real people designing?
Yes, and this is probably the most direct threat AI poses to your field — but it's worth being precise about who it affects.
Who's actually doing this
- Non-designers with real budget constraints — small business owners, indie founders, Etsy sellers, small manufacturers — who previously either hired a junior designer/freelancer or skipped design altogether now increasingly generate concepts themselves with AI tools. This segment was often underserved or price-sensitive anyway, so some of this was never fully "your" market.
- Adjacent professionals absorbing design in-house — marketers, product managers, engineers who used to hand off to a designer now prototype visual concepts themselves and only loop in a designer (if at all) for refinement or manufacturing feasibility. This is the more disruptive one, because it's cannibalizing work that used to require you.
- Larger companies experimenting with AI-first pipelines — mixed results so far; most still bring in professional designers for anything customer-facing or manufactured, because AI output frequently fails on manufacturability, ergonomics, and brand coherence.
Why this happens even when the AI output is worse
Non-designers often can't tell the difference between an AI concept that looks finished and one that's actually viable — an AI render can look polished while being structurally nonsensical (impossible draft angles, no wall-thickness logic, ergonomically wrong proportions). The gap isn't obvious to someone without design training, which is exactly why they're willing to substitute AI for a professional in the first place. That's a real threat to visibility/awareness of your value, not just price competition.
The strategic implication for you
This trend rewards designers who can clearly demonstrate why professional design matters in ways a client can't self-serve — manufacturability, longevity, safety, brand distinctiveness, and use of research. It also creates a new service category: cleaning up, validating, and productionizing AI-generated concepts for people who tried to DIY it and hit a wall.
Want to talk through how to position your work so that gap is visible to prospective clients before they try the AI-only route?